Maps Written in Music: A Caboodle Full of Memories (Blood Brothers, Broken Hearts, and the Soundtrack of Growing Up)
Film(s): My Girl & My Girl 2
Elton John: Tiny Dancer
The My Girl 2 Soundtrack
Maps Written in Music: A Caboodle Full of Memories
(Blood Brothers, Broken Hearts, and the Soundtrack of Growing Up)
I don’t remember the first time I heard My Girl by The Temptations.
I don’t remember the first time I wore a mood ring or climbed into the car for another humid Texas road trip, a book in my lap and music humming through the speakers.
But I remember how it all felt… like the air itself was made of stories waiting to be told.
I was the kind of girl who lived half in the real world and half in some other one,
the one where best friends made blood pacts by the lake,
where crosses around your neck were promises you never broke,
where grief was something you didn’t understand yet, but could feel brushing against you, soft as the back of a hand.
When I first met Vada Sultenfuss, she didn’t feel like a character.
She felt like someone I already knew.
Maybe because I was already a little strange, a little too interested in death and poetry,
maybe because I already knew what it was like to live between laughter and something heavier.
Or maybe because My Girl didn’t just tell a story…
it handed me a mirror, and it whispered, Here you are.
There were days when the air in Texas felt so thick it was hard to move through,
hot and heavy.
There were days when you could smell the storms coming before they broke open the sky.
But mostly, there were days that blurred together like a worn-out mixtape
days full of bikes and dusty roads and half-wild dreams no one else could see but you.
I was always writing.
Always carrying a book.
Always listening for songs that felt bigger than the radio could hold.
When My Girl found me, I didn’t know it was going to be a lifelong companion.
I was still too young to understand how rare it is to see yourself reflected back through someone else’s story.
All I knew was that Vada Sultenfuss didn’t seem like just a character.
I couldn’t explain it exactly but she seemed like a part of me I’d forgotten somehow or just hadn’t yet met.
She lived in a funeral home.
I spent my childhood visiting my mom’s friend John Reynolds, whose family owned the funeral home in Madisonville.
I can still see the cool hush of the hallways, the strange comfort of it,
death lingering close but not terrifying yet, just part of the furniture.
Vada made blood pacts.
I learned how to do the same with Travis out by the lake,
picking at scabs and laughing at the way skin could carry promises.
Vada didn’t fit neatly anywhere.
Neither did I.
Some days the world felt too small for how much I felt.
Some days it felt too big.
I watched her on that screen
messy, fierce, confused, stubborn
and something in me like a missing piece snapped back into place.
And somewhere softly echoing behind it all,
there was music.
Bad Moon Rising crackling through car speakers on the way to the next small-town adventure.
My Girl spinning out of radios, of jukeboxes, of memories I didn’t know were writing themselves into me.
One of the things I loved about My Girl,
was that it felt familiar.
Not just because of Vada or Thomas Jay
but because of Harry.
Dan Aykroyd was already such a legend in our house…
the Blues Brothers, SNL, The Coneheads, Ghostbusters
he was almost like part of the background music of my childhood.
My dad loved him.
We all did.
Seeing him play a quiet, fumbling, aching father…
someone doing his best, even when it didn’t look like enough felt so heartwarming.
I loved My Girl so fiercely because, in my mind it didn’t just mirror parts of my childhood.
It honored it.
Somewhere between the smell of wet grass and the sound of old songs pouring out of car windows,
I started to understand that life could slip away when you weren’t looking.
When I first watched My Girl, I was still on the safe side of grief.
Travis was still alive, one of my very best friends, my blood brother, the boy who taught me how to pick a scab just right,
how to press it against someone else’s and swear something that felt bigger than anything we could name.
He taught me how to fish by that same water,
we spent our summers running wild, laughing, believing in things that seemed so close yet so far away.
Magic. Healing. Forever.
When Thomas J. died in the movie, I cried
but I didn’t know yet what it really meant to lose someone who still had mud on their shoes and stories left to tell.
That would come later.
It came too soon.
When Travis died (cancer, not bee stings)
it broke something inside me that My Girl had only brushed against.
Suddenly, Vada’s heartbreak wasn’t just a scene in a movie.
It was the shape of my own heart, trying to make sense of a world that didn’t keep its promises.
After that, every time I watched My Girl, the colors shifted.
It wasn’t just a story anymore.
It was a map of a place I’d been
where loss lived next to love,
where blood brothers didn’t always stay.
Not long after Travis was gone, other parts of my life started rearranging themselves.
My parents’ marriage was already on unsteady ground,
and soon my dad moved first to Houston, then to Louisiana.
There were so many road trips after that, my dad, my brother Bobby and I.
driving through sticky Texas heat into the swampier magic of Louisiana summers.
I rode in the backseat with a book in my lap and songs in my head,
learning how to lose places the way you lose people…
slowly, piece by piece.
And always, there I was writing.
Writing poems, writing stories, trying to catch the things I couldn’t hold with my hands. (Or recreate some version of Harriett The Spy I was hyper fixated on at the time!)
Trying to build a place where the people I loved could live a little longer.
I didn’t know it yet,
but I was growing into the next part of the story…
the part where the world gets bigger and messier,
where you start to chase the ghosts of the people you never really knew,
where you try to figure out who you’re supposed to be when everything you thought was solid starts to shift.
The part where My Girl would become My Girl 2.
After loss, the world doesn’t go quiet.
It just gets heavier.
You still hear the same songs on the radio.
Still feel the sun baking your legs against the car seat.
Still wake up to summer mornings and the smell of coffee and creaky floorboards.
But it all feels different like the air has been rewritten.
By the time My Girl 2 found me,
I was carrying more weight than an eleven-year-old should know how to name.
Travis was gone.
Tommy was gone.
Nanny was gone.
And somehow, even though it wasn’t the same kind of loss,
my parents had slipped away from each other, too…
in quiet arguments and separate states,
in weekends that ended with longer and longer drives back to someone else’s house.
⸻
When Vada set out on her journey to find her mother’s story,
I understood her in a way I hadn’t understood anything before.
I was already chasing ghosts,
already trying to put together the pieces of a life I barely understood,
the people I’d loved, the places we’d left behind,
the girl I was supposed to become.
My road trips weren’t to Los Angeles.
They were to Houston, to Lake Charles, to North Carolina,
through the swampy, sticky summers of Louisiana,
through the greener, softer summers of Greensboro.
Wherever we went, I carried my journals, my books, and my stubborn, aching hope that somewhere…
somewhere … I would find the missing pieces.
⸻
I didn’t have a mood ring from my mother,
but I had a cross necklace from my Nanny,
a silver James Avery cross she gave me the night before she died.
I promised her I would never take it off.
And for years, I didn’t.
When Little Dribblers basketball told me to remove it, I tried to hide it under my jersey.
When that didn’t work, I quit instead.
I watched Vada prepare to climb a fence into the tar pits for that moonstone ring,
and I knew, deep in my bones, that kind of loyalty.
The kind that says:
You will not tell me to let go.
Not of this.
Not of her.
⸻
The music changed, too, as I grew.
Where My Girl had floated through the air when I was a kid,
My Girl 2 brought new songs, songs that felt heavier, wiser, more complicated.
Our House — that bittersweet, aching portrait of a family trying to hold it together with normalcy and laughter.
Doctor My Eyes — that desperate question, wondering if we could go through the worst and still come out whole.
Swingtown — the wild, reckless feeling of possibility when the world cracks open a little wider.
Tiny Dancer and Bennie and the Jets —
Elton John pouring out of the speakers while Fay cleaned the house, singing and dancing and spinning the world back into something warm and bright.
Fay was wild and beautiful, all fire-red hair, denim and laughter.
She loved Elton John, she would play his music and sing with her whole heart, with her whole voice, with her whole wide-open soul.
There were days when the world felt hard and broken,
but when Fay put on those records,
for a little while, it felt like we might all be okay.
Shelly once told Vada that a girl could never wear too much blue eyeshadow.
Fay, beautiful, stubborn Fay told me the opposite.
In her raspy, Stevie Nicks kind of voice, she said. “A classy lady doesn’t need all that. Less is more.”
That’s one of the zany things about growing up…
you collect little pieces from all the women who love you,
even when they’re nothing alike.
In North Carolina, I learned how to lose people and find pieces of myself at the same time.
I learned that sometimes the only lifelines you get come from unexpected places
like Eva, the friend who found me in the wreckage and made me feel less alone.
We spent long afternoons laughing in the Greensboro Science Center,
petting goats and pretending we belonged somewhere.
We spent summers cooling off at Emerald Pointe Water Park,
racing down slides and trying to forget the heaviness waiting at home.
We built tiny worlds between us
safe places, fleeting places, made of laughter, long talks, MaryKate and Ashley mysteries, music and not-quite-growing-up.
I watched My Girl 2 curled up in my bed,
my new clearance copy from Godwin’s grocery store
the same grocery store where, years later, the boy I would fall in love with worked in the same aisles I used to wander through,
both of us crossing invisible paths without knowing we were already part of each other’s story.
The world is strange like that.
The way it loops and braids and brings you back to the things you didn’t even know you needed yet.
The thing about growing up is that you don’t always realize when it’s happening.
You don’t feel the moment you step over the line…
from a girl who believes in blood brothers and forever promises,
to a girl who knows that some goodbyes are permanent,
to a girl who starts looking back more than she looks forward.
You just wake up one day and the world looks different.
Wider. Sadder. Brighter.
All at once.
I didn’t know then that I was already gathering pieces for the woman I would become,
in the music I carried,
in the places I loved and left,
in the stories I wrote late at night when the house was quiet.
Songs like Reason to Believe by Rod Stewart,
echoing somewhere low and sad in the background,
teaching me that sometimes love isn’t enough to fix everything,
but sometimes it’s enough to carry you through anyway.
Songs like Baby Love,
which once sounded like sweetness on a record player and now sound like something bigger, more beautiful like the soundtrack to the life I built when I became a mother myself.
⸻
When my sweet Maggie Jo was just a toddler,
barefoot in my living room,
spinning in circles with her sweet little hands clapping out of rhythm,
singing along to “Baby Love” on an old record player I felt something break loose inside me.
The way my Nanny had rubbed my back while the Supremes played in the background.
The way my mom sang along to the radio when the world was too heavy.
The way Fay spun and laughed while Elton John poured out of the speakers, scrubbing the sadness out of the corners of the house.
It all folded together in that moment
past and present and future.
Maggie twirled, and the world stitched itself together again,
one sweet, silly song at a time.
⸻
I still have this caboodle my Nanny gave me when I was ten. This amazingly cool blue one with silver glitter, the kind of treasure that feels like magic when you open the lid.
When the silver flower clasp broke, a couple years later at my dad’s house in Houston,
it felt like losing more than a piece of plastic —
I was so upset but tried to play it so cool I was overwhelmed and even though it’s silly to my adolescent mind it felt like losing a piece of her.
But Fay stepped in, unhooked the clasp from her own makeup case, a simple sleek black one,
and fixed mine with it.
That caboodle still sits on my dresser, a star-dusted symbol of two women who loved me in different ways.
And last year, when my daughter picked out her own caboodle…
pink, glittering, ready for a thousand small treasures!
I realized while some gifts outlast the people who gave them.
Some kinds of love never truly wear out.
When I first got married, I didn’t change my last name.
Maybe it was stubbornness.
Maybe it was pride.
Or maybe it was the voice of Vada Sultenfuss echoing in my head,
the way she planted her feet and said, “Why should I change my name? I like my name.”
I liked mine, too.
It carried my dad’s stories, my family’s grit, the part of me that felt unshakeable even when the ground moved.
Later, when Jamie and I had kids, I hyphenated it because I wanted us to share a name, but I wasn’t ready to let go of where I came from.
Now I have three children, two daughters.
Two bright, stubborn, beautiful girls
who don’t know yet how wide and heavy and wonderful the world will be.
Who dance and sing and trust that love is bigger than loss.
I hear My Girl come on and it feels so much more meaningful now.
What can make me feel this way?
My girls.
Not just memories of a song,
but flesh and blood and laughter and tiny arms wrapped around my neck.

And somehow…
I’m still chasing the pieces of the dreams I carried back then.
Still following the maps that music wrote into my skin.
Chasing the tar pits I dreamed of seeing ever since I first saw Vada Sultenfuss stand at that fence,
willing to dive into the muck for something sacred.
I think more than anything what My Girl and My Girl 2 were trying to tell me all along is that real life isn’t neat.
It doesn’t come with guarantees.
It breaks your heart, and then hands it back to you, stitched with scars and stubborn hope.
It’s sticky and stupid and full of moments you wish you could take back.
It’s heavy and wild and beautiful anyway.
And if you’re lucky
if you’re stubborn enough to stay
you find the ones worth fighting for.
You find the songs that carry you through.
You rediscover the promises you made in backyards and parking lots and hospital rooms. You learn to hold your head up and look for stars.
You find your story, messy and glittering, bright and bold, perfectly imperfect and yours.

RESUME THE RHYTHM:
DRIFT THROUGH A CONSTELLATION OF MEMORY
Searching For Stars












