Wanted Dead or Remembered : A Road Trip Through Myth, Memory, and the Wild West

Lauren Nixon-Matney • April 12, 2026
Wanted Dead or Remembered : A Road Trip Through Myth, Memory, and the Wild West


Film: Young Guns

Bon Jovi: Blaze of Glory



Retro 32-bit pixel art of a wooden wall in Lincoln, New Mexico featuring signs for “The Last Escape of Billy the Kid” and a historic marker, representing Wild West history, myth, and memory within the Searching for Stars multimedia memoir experience by Lauren Nixon-Matney, told through a musical echolalia perspective.

We didn’t plan to end up on the Billy the Kid Scenic Byway.


But by the time we left Carrizozo… sick, hungry, exhausted, and stepping over bear poop to reach the car it felt like we’d wandered into a legend without meaning to. A family of outlaws, dogs and all, ghostriding our way home through the myth-soaked hills of New Mexico.


The night before had been something out of a fever dream. We rolled into Carrizozo after a long day on the road, our bodies already fading fast with colds, the kids cranky, and the dogs needing out. The loft we’d booked was tiny. Bare-boned. No pillows. No warmth. Just wood and wind and a rock wall of mountain behind it, Carrizo Peak, towering like a quiet guardian. When we opened the car doors, there was bear scat just two feet away. Welcome to the wilderness.


The place felt eerie. Like we weren’t supposed to be there. Like time had stopped… or skipped. There was something otherworldly about it. Like being on another planet. Maybe it was the way the air held still. Or maybe it was the Carrizozo Malpais just across the basin an ancient, cracked lava flow that looked like the desert had peeled open its skin. The ground here remembered fire.


We barely slept.


But the stars?


Oh, the stars were wild. Clear, electric, infinite. They stretched over us like something out of a western movie ending. One of those endings where no one speaks… they just look up. The kind where grief and grit ride side by side, and love survives the dust.


We stood under them anyway sick, tired, dazed and still felt that quiet sense of awe. Like we were being watched by every outlaw, dreamer, and half-remembered soul who had ever passed through these hills.



We left early the next morning, all of us still dragging. Ready to be home, already missing the road. But first we stopped for gas in the town of Capitan, the real-life home of Smokey the Bear.


Jamie struck up a conversation with two guys training police dogs. One of them a lifelong local shared the real story of Smokey, how he was discovered after a forest fire in 1950 as a cub clinging to a tree. Something about that hit us hard. Maybe it was nostalgia. Maybe it was because we’re 90s kids, raised on forest safety PSAs and cartoon bears with ranger hats. Maybe it was just the reminder that even in fire, and devastation something good can be born. 


We hit the road again through switchbacks, cliffs, and treacherous mountain passes. At one point we drove past a van that had gone off the road and over a cliff. It looked like a film set, but it was real. We were quiet after that. Grateful. Shaken in that subtle, sacred way. Jamie’s always been a solid, focused driver. That morning, I watched him with awe.


And then without meaning to we were in Billy the Kid territory.


Lincoln County. His country.


We passed the sign marking his last escape, and it felt like something shifted in the car. The sun got warmer. The road stretched smoother. And suddenly, everything felt like a movie we’d seen before.


Jamie and I have both loved Young Guns since way back Emilio Estevez blazing across the screen, that crooked smile, that wild-eyed chaos. I’ve been an Emilio fan since Mighty Ducks, and that love just rolled into Billy the Kid without missing a beat. Whether he was Billy the Kid or Coach Bombay.

He never played perfect heroes. He played the ones with a past. The ones who made mistakes and still showed up. We watched Young Guns together early in our relationship, but we’ve watched it many times since. The first one. The second one. It became ours somehow. 


So when we found ourselves driving that same ground with the dogs asleep in the back and the kids wide-eyed in the middle seats… we looked at each other and just started singing.


“I’m goin’ down in a blaze of glory…”


We didn’t even play the song at first. We just knew it.


We sang it loud, off-key, half-coughing, half-laughing. The kids thought we were ridiculous. They were right. But they laughed with us anyway, and that kind of laugh, the kind where everyone’s too tired to fake anything that’s the kind that sticks with the memory like some hazy beautiful dream. 


We told them about Billy. About the real legend and the one Emilio brought to life. We pointed out the hills. The town. The old ghost buildings. And for a little while, we weren’t just heading home.


We were riding the kid’s trail.


And he was riding with us.



That day was messy and strange and unforgettable.


We didn’t plan to walk through history or sleep beneath a volcanic sky. We didn’t plan to sing Bon Jovi with raspy voices to our kids or feel like we were being followed by ghosts. We didn’t plan for bear poop or lava plains or driving past real-life wreckage.


But we rode the trail anyway.


And for that one golden stretch of road, we were more than a tired family trying to get home.


We were part of the story. Part of a legend. 


Pixel-style Polaroid image of a couple in the New Mexico desert with mountains in the background, labeled “Searching for Stars,” capturing road trip memory, love, and shared storytelling within the Searching for Stars multimedia memoir series by Lauren Nixon-Matney, expressed through a musical echolalia perspective.
Pixel-style Polaroid image of a vast New Mexico night sky filled with stars above a dark landscape, labeled “Searching for Stars,” representing wonder, memory, and cosmic reflection within the Searching for Stars multimedia memoir universe by Lauren Nixon-Matney, expressed through a musical echolalia perspective.
Searching for Stars Be Kind Rewind portal image featuring a retro VHS cassette with oval “Young Guns” label in rustic vintage newspaper tones, representing cinematic memoir storytelling, 90s nostalgia, and western film memory within the Searching for Stars multimedia memoir experience by Lauren Nixon Matney, blending film nostalgia, music memory, and mixtape-style storytelling in the Searching for Stars universe

Searching For Stars

By Lauren Nixon-Matney April 12, 2026
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