Poltergeist: A Memory From the Other Side of Sleep

Lauren Nixon-Matney • February 2, 2026
Poltergeist: A Memory From the Other Side of Sleep

Film: Poltergeist

Pixel art illustration of two smiling teenage boys holding hands in front of a glowing telephone booth in space, inspired by Bill & Ted's Excellent Adventure and Bogus Journey, with stars, a

I was six.

Too small to be up that late.

Too young to be watching Poltergeist on my own.

But there I was...

barefoot on the carpet, eyes fixed on the screen, the living room pulsing with static and supernatural flicker.


I hadn’t meant to be there.

I was sleepwalking, though I didn’t know it at the time.

Back then, they said you weren’t supposed to wake a sleepwalker too suddenly. Something about panic.

So maybe that’s why my dad didn’t yell.

Didn’t scoop me up and carry me back to bed.


Instead, he sat down beside me.


The film was already halfway through.

I remember him asking questions, gently

“Do you know what this is?”

“Do you understand it’s not real?”

I nodded. I think I did.

He let me ask questions back, too about the ghosts, the little girl, the shadows and the light.

He answered every one.

Not in a babying way, but like I was someone worth talking to.

Like I could handle a story, even a scary one, as long as I had someone sitting beside me in the dark.


Years later, I heard him tell the story.

From his side.


He said he walked out of the bedroom and into a scene that stopped his heart for a second

his daughter sitting inches from the screen, the blue-white light of Poltergeist washing over her.

He said it looked like the movie poster come to life.

But instead of Carol Anne, it was me.


And maybe that’s why it stayed with me.

Not just because of the movie,

not just because of the sleepwalking,

but because of the way he handled it.


He could’ve been mad.

Could’ve rushed me back to bed, frustrated and tired.

Instead, he stayed.

He made it a moment.

He gave me something I didn’t have the words for yet:

a safe place to ask questions about the scary stuff.

To be curious in the dark.


The Poltergeist score drifted like a haunted lullaby behind it all

soft and eerie, sweet and unsettling.

A soundtrack that sounded almost like childhood itself:

part dream, part fear, part wonder.


Perhaps that’s why I still love stories that hum with mystery.

Why I still write into the spaces between sleep and static.


Because sometimes, even the strangest memories carry light.

Especially the ones where someone sits beside you

and says,

“Let’s finish the movie.”


Searching For Stars

By Lauren Nixon-Matney February 2, 2026
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