Car: There’s Nothing Wrong with Dreams
Built to Spill: Car
Some songs start like background noise,
and end up scoring your whole life.
Sitting in the car with my brother Bobby.
Sunset bleeding through the windows,
cold outside, but almost spring.
I was about fourteen.
Too young to know who I’d become,
old enough to feel the ache of wanting something more.
We didn’t say much. We didn’t need to.
The engine was off, the radio was on.
“You get the car, I’ll get the night off…”
It played like it knew us. Like it knew what it meant to feel stuck in a small town,
but still carry a head full of big ideas and late-night dreams.
Bobby had always been the cool one.
The one who knew the good music before it became good to everyone else.
He didn’t explain why songs mattered—he just let you feel it.
And that day, I did.
I didn’t know exactly what the lyrics meant,
but I knew how they made me feel—
like maybe everything I was hoping for wasn’t so far away after all.
I didn’t know it then, but Car was already carving a space inside me.
That quiet moment with Bobby, the cold air, the half-promise of spring—
it was just the beginning.
The song would follow me.
Through every version of myself.
I kept singing it.
In my room. In the car.
Under my breath when I felt lost.
Loudly when I felt found.
I’d sing it to Jamie, when we were first falling in love.
Eyes closed, fist in the air, singing with all my soul like the universe could hear me.
Like the song already knew what we were becoming.
And then I had babies—
these tiny, perfect souls that somehow cracked me open in the best way.
And without even thinking, I found myself singing to them,
“I wanna see movies of my dreams…”
as if those dreams were theirs now, too.
“I wanna see it when you find out what comets, moons, and stars are all about…”
And I meant it with every cell in my body.
I meant it in a way I didn’t even understand when I was fourteen.
That line became a kind of lullaby.
Not the soft, sleepy kind—but the cosmic kind.
The kind that says:
“You are made of magic, little one. And I want to be here for all of it.”
The house would be quiet, the kind of quiet that only happens in those
newborn hours when the rest of the world feels like it’s sleeping off its noise.
I’d step onto the Total Gym, easing into slow, gentle squats—
the rhythm rocking him closer to sleep.
And I’d sing.
Built to Spill.
Sometimes Big Dipper but mostly Car.
“I wanna see movies of my dreams…”
At fourteen, those lyrics felt like escape.
A call to the stars.
A promise that there was more out there—more to feel, more to find,
more waiting in the midst of this weird, beautiful life.
Now they feel like a wish.
Not for myself, but for them.
For Jaxon. For Maggie. For Gracie.
I want them to see it all—their dreams, their comets, their moons, their stars.
I want to be there when they do.
It’s funny how a song about longing becomes a song about love.
How something that once felt like yours alone becomes a gift you hand down.
Bobby gave me the song without even realizing what he was doing.
We were just sitting in the car, letting the stereo do the talking.
But somehow, that moment planted something.
A seed that grew into a soundtrack.
He didn’t know it’d become a lullaby.
Didn’t know it would echo through dimly lit rooms,
through early mornings and midnight feedings,
through soft rocking and starlit promises.
But it did.
And every time I sing it now,
I go right back to that car,
right back to the sunset,
right back to the part of me
that still believes music is magic written in the stars.
The best songs don’t shout. They linger.
You don’t notice at first—
then one day, you realize it’s your memory’s favorite soundtrack
Searching For Stars







