Dream Weaver: Where I Began, Woven in Dreamlight

Lauren Nixon-Matney • May 26, 2025
Dream Weaver: Where I Began, Woven in Dreamlight

Gary Wright: Dreamweaver


Film: Wayne's WorldFilmFil

Apparently, I was conceived to Dream Weaver by Gary Wright.

That’s a sentence I probably shouldn’t know.

And definitely shouldn’t be starting a story with.

But here we are.


I didn’t find out in a heartfelt, candlelit, parent-to-child moment of family origin stories. No. I found out the way most weird truths seem to land—in the middle of a movie I wasn’t supposed to be watching, with my mom sitting beside me on the couch, momentarily forgetting I was there.


The movie was Wayne’s World, and the scene (if you know, you know) is iconic! Wayne sees Cassandra for the first time. Time slows. Lights glow. The music fades from chaotic, glorious Ballroom Blitz to the twinkling, spacey opening of Dream Weaver. He’s stunned. Love struck. Tongue tied. And right as Gary Wright’s voice starts floating through the screen like a cosmic lullaby, my mom out loud goes:


“Oh! Lauren was conceived to this song at Camp Creek…”


Her eyes widened in horror.

Mine did, too—just for very different reasons.


Oh my god.

“Ew, Mom. Why would you tell me that?!”

I was like 8 maybe. Still just a kid. A very long way from understanding the beauty of that memory…and suddenly I had this weird, glittery song stapled to my conception story like a sticker I couldn’t peel off.


It stuck with me, though. That moment. That song.

At the time, it was just embarrassment.

But as I got older, Dream Weaver started showing up again—quietly, like background static. On the radio, in passing, in conversations. And always, always in that Wayne’s World scene, still one of my all-time favorites.


It never stopped being funny.

But it also stopped being just funny.


Because something strange happens when you grow up. The things that once embarrassed you if they’re real enough, meaningful enough they start to change shape. They soften. They shimmer. They start to feel like… part of you. Like home. Like truth.


And that’s what Dream Weaver became for me: this oddly perfect little metaphor for my beginning. For who I am. For how I see the world.

I mean what better song to kick off a life like mine than a trippy, glitter drenched synth ballad about love and soul travel?

It’s not just a slow jam. It’s a portal.


And maybe that’s the point.

Camp Creek.

That was the place.

The lake house. The night. The song.


According to my mom, it was John’s place, her friend with a cabin out by the water. Peaceful, private, stars overhead. She doesn’t talk about it in too much detail (thankfully), but I know enough to imagine the rest.

There was love. There was music. There was Dream Weaver. And out of that strange, ethereal mix—there was me.


I used to think it was weird. Now I think it’s kind of… beautiful.

Because what is love, really, if not a kind of dreamweaving? What is birth if not a bridge between realms? Two people, once strangers, collide in the wildness of this world—and from that collision, a whole universe forms. A tiny galaxy with eyes and bones and breath.


Me.


I didn’t understand the song when I was little.

It felt slow, sparkly, almost too floaty to hold onto.

But as I got older... especially after becoming a mother myself, I started to feel it.


Really feel it.


That kind of music doesn’t hit you all at once. It grows with you. It wraps around you like mist. It lingers. And then one day, you hear it—not with your ears, but with your whole body. Your whole being.


And that’s what it’s like now.

When I hear Dream Weaver, I don’t feel embarrassed anymore.

I feel grateful.

I feel… woven.


There’s a certain kind of softness in that realization. A reverence.

I think that’s what hits me most now—how rare and special it is to know the exact song playing when your life first sparked into motion. How rare it is to want to hold onto it.


My dad really liked Gary Wright’s The Dream Weaver album. I didn’t know that until later, but it feels right. It makes sense in a way I can’t fully explain. Maybe it was part of the soundtrack to who he was. Maybe it helped shape his quiet, poetic side. Maybe, in some strange way, it helped call me in.


There’s something cosmic about that.

Like my very first lullaby came wrapped in synth and stardust.


Now, when I hear Dream Weaver, I don’t roll my eyes.

I close them.

And I say thank you.


Because I’m here.

Because they loved each other.

Because they laughed and danced and made mistakes and made me.

Because somehow, that song is tied to my first flicker of existence.

And that’s not really gross, it’s kinda sacred.


And maybe that’s the real thread tying this all together...

this project, this song, this story, this life.


Because in so many ways, Searching for Stars is my version of Dream Weaver.

It’s my way of honoring the light that brought me here.

It’s the stories I’ve lived and the stories I carry.

It’s me weaving dreams of my own thread by thread, star by star.


Maybe it started with that night at Camp Creek.

Maybe it started with that first synth chord floating through the cabin.

But it hasn’t stopped.

I’ve been dream-weaving ever since.


With my children.

With my memories.

With these words.

With love.


I used to flinch when that song came on.

Now, I let it play.

I let it wash over me like moonlight on water.


And when Gary Wright sings “Fly me high through the starry skies, maybe to an astral plane”

I think,

Yeah. That tracks.


Dream Weaver.


Apparently, that’s where I began.

Honestly? I get it now.

And I’m thankful. So, so thankful .

Searching For Stars

By Lauren Nixon-Matney February 2, 2026
I don’t remember deciding to look in the mirror. I was already there, half-awake, the house finally quiet in that fragile way it gets after a feeding. Same bathroom. Same light. A body that no longer belonged only to me, still learning its new outline. I tilted my head, not with panic, not even sadness just habit. Like checking a bruise you already know is there. Like waiting for an apology that isn’t coming. What annoyed me wasn’t what I saw. It was how quickly my brain tried to narrate it. The subtle inventory. The mental before-and-after photos. The unspoken timeline of when I was supposed to “feel like myself again.” I remember thinking, with a tired little laugh, Wow. I just made a human. And I’m still doing this. Still scanning. Still measuring. Still standing here as if my body hadn’t just done something borderline miraculous. And the most unsettling part wasn’t the criticism it was how normal it all felt. Like this was just part of motherhood. Like this quiet self-surveillance was simply another thing you were supposed to carry. I didn’t necessarily feel it all at once. There was no dramatic breaking point. It was more like a quiet irritation that refused to go away. The kind that taps you on the shoulder while you’re trying to move on. I remember standing there thinking how strange it was that my body could do something as massive as bringing a whole person into the world and somehow still be treated like a problem to solve. How quickly the conversation had shifted from look what you did to okay, now fix it. I hadn’t failed at anything. And yet, the language in my head sounded like I had. That’s when something finally clicked not so much with anger or rage, but with clarity. This wasn’t intuition. This wasn’t health. This wasn’t even coming from me. It was inheritance. Passed down quietly. Polished to sound responsible. Framed as care. And once I saw that, I couldn’t unsee it. Katie this is where you enter the story… Someone who said the thing out loud that I had only felt in pieces. Someone who named the difference between discipline and disconnection. Between health and harm. Healthy Is the New Skinny didn’t tell me what to do with my body. It asked a better question altogether: What if the problem was never your body in the first place? That question rearranged everything. You gave me language where there had only been pressure. You replaced noise with permission. You handed me tools not commandments and trusted me enough to use them. And that trust mattered. Because the moment I stopped fighting my body, I started listening to it. And the moment I started listening, I realized how long it had been trying to take care of me. It felt like getting this beautiful window. Not to change myself or crawl through but to finally see clearly. I kept thinking about how these things actually get passed down. Not through lectures. Not through rules. But through the tiny stuff. The comments made in passing. The jokes you barely even realize are jokes. The way you talk to yourself when you think no one is listening. Especially kids. Especially daughters. It hit me one night, sitting on the edge of the bed, that someday they wouldn’t need me to explain any of this to them. They would just pick it up. The same way I did. The same way most of us did. Quietly. Without consent. That realization felt clarifying. Not heavy. Just honest. Some patterns don’t need a big exit. They just don’t get invited into the next room. And because of you, Katie, I found the strength to stop fighting myself. To stop trying to fit my body into some mold it was never meant to belong in the first place. To me, you are truly one of the most beautiful women and souls in this universe! Beautiful is the woman who breaks cycles. Beautiful is the voice that replaces shame with truth. Beautiful is someone whose work doesn’t just inspire it liberates. Thank you for changing how I live inside my body. Thank you for changing how I mother. Thank you for helping me choose health over punishment, presence over performance, and confidence that doesn’t ask permission. You saved me in ways you may never know. Thank you so much for opening the window. I’m raising the next generation with it wide open to limitless views of beauty! Lauren
By Lauren Nixon-Matney February 2, 2026
Fiona Apple: Criminal
By Lauren Nixon-Matney February 2, 2026
Film: Poltergeist
Show More