Last Kiss: Melodies That Break Us
Buddy Holly: Last Kiss
Pearl Jam: Last Kiss Cover
Some songs don’t just play.
They haunt.
Not just in the ghost story way. But in the “this still lives in me” way.
In the way that makes your chest ache before the first note even hits.
“Where oh where can my baby be”
It was Buddy Holly first. Then Pearl Jam.
But it was always Travis in my head.
Then it was Trey.
And for a long time, I couldn’t bear to hear it at all.
It was too much...
too beautiful,
too brutal,
too familiar.
The Buddy Holly version always sounded like childhood...
like laughter in the backseat, lake water in my hair,
Andie dancing in the drivers seat while Travis and Katie sang along like they meant it.
It felt softer then. Lighter.
Travis was the kind of kid you didn’t forget.
That spark. That laugh. That whole-world-in-front-of-him energy.
He could pull off a magic trick, order a cup of coffee like he was grown,
and teach a girl how to ride her bike all before lunch!
He tried to teach me to tie my shoes, too.
Got frustrated when I couldn’t get the loop right.
But he didn’t give up on me.
He never really gave up on anyone.
He was smart. So funny.
He had this easy confidence, like he knew who he was already.
Like the rest of us were just trying to catch up.
I remember riding in the car with the Shannons the music playing, windows down,
Buddy Holly in the background like it was just part of the air.
“Where oh where can my baby be”
Like it wasn’t a sad song. Just one they loved.
Back then, it didn’t make me ache.
It made me smile.
That’s the version I still try to hold onto sometimes.
Before hospitals. Before headaches. Before everything changed.
It happened faster than my almost eight-year-old mind could keep up with.
One minute we were riding bikes and hunting fireflies.
The next, he was sick.
And not the kind of sick you shake off.
There was something about the way adults started whispering.
The way the room shifted when his name came up.
I didn’t understand everything,
but I understood enough to be afraid.
I remember the last time I saw him.
I don’t remember what we said.
But I remember the feeling.
That strange, quiet knowing that something big was changing and none of us could stop it.
Then... he was gone.
My first real loss.
One of my first best friends.
The boy in the corner of my innocent little girl heart that I thought I’d grow up and marry someday.
For a long time after Travis died,
I just couldn’t hear Buddy Holly.
Not because of the words, it was because of the voice it brought back.
That sweet, clear sound of childhood.
The voice of the boy who taught me how to ride a bike,and sang like the world would never end.
Time passed, I grew, grief changed shape and then Pearl Jam released their cover of the song!
I was barely a teenager and the grief had mostly settled into the background.
Not gone... just quieter.
Pearl Jam’s version landed differently.
Grittier. Slower.
Like it already knew loss before it even began.
I remember Trey singing it.
There was something about hearing him sing it
that gravelly, slowed-down version with Eddie Vedder’s ache behind it..
and in some weird way that felt like healing.
Like maybe this song wasn’t just about loss anymore.
Maybe it could be about memory. About holding on.
For a while, that version helped.
And then…
we lost Trey, too.
Trey was the kind of person who felt bigger than the space he stood in.
Always a little wild. Always full of light.
The kind of friend who made the air feel different when he was around almost like anything magical thing could happen.
He wasn’t perfect. None of us were.
But he was my brother and he had that thing...
that way of making you feel like you belonged exactly where you were,
even when everything else felt off.
He’d sing with the radio, half serious, half messing around.
And when Last Kiss came on,
he knew every word.
It was strange hearing that song from his mouth.
A song I’d learned to tiptoe around because of Travis.
But with Trey, it felt different.
Gentler.
Like the song was being reshaped in real time.
Like maybe he was unknowingly stitching something back together in me that I didn’t even know was still broken.
I don’t think he ever realized what those moments meant.
But now I remember it all so vividly.
And then, just like before
one day he was here,
and the next he wasn’t.
After Trey died, I couldn’t listen to it anymore.
Not the Buddy Holly version. Not Pearl Jam’s.
It didn’t matter who was singing
it still tore me to shreds the same way regardless.
I remember one day, not long after he passed,
Riding with Carl (my mothers boyfriend whom we lived with at the time).
Windows up. Radio on.
And there it was.
“Oh where, oh where can my baby be”
And oh my goodness I just broke.
There’s no better word for it.
It wasn’t just crying. It wasn’t just remembering.
It was breaking. It was a whole damn flood of emotions.
Because now it wasn’t just Travis’s song.
It was Trey’s, too.
And somehow, it felt like mine, a melody etched into my soul I deeply wanted to erase.
It was like grief had found a song and was using it to tear me open from the inside.
How could something so beautiful hurt this bad?
How dare it?
And through it all... through almost every version of this song that found me and broke me open
there was Andie, Travis's mother and one of my greatest young role models.
She was never loud about her strength.
She didn’t need to be.
She just kept showing up.
In every classroom. Every holiday. Every fruitcake she baked. Every summer at the fireworks stand with Margaret.
Her house was the kind of house kids wanted to be in.
The kind with laughter in the walls and a little magic tucked upstairs in the attic.
A world where we could play, pretend, and feel safe even when the rest of life didn’t make sense.
She was funny. Kind. Involved in everything.
The kind of mom who knew all your friends by name
and somehow made each one feel seen.
Even after everything, even after Travis...
she stayed rooted.
She didn’t disappear into grief,
she kept building joy into the lives around her.
I watched her do it.
I didn’t always understand it back then.
But I do now.
When I think about the kind of mother I want to be,
the kind of strength I want to carry,
I will always think of her.
And still, the song finds me.
Sometimes in the background of a store,
sometimes on a playlist I didn’t mean to shuffle.
It still makes my chest ache.
Still makes me want to hit skip.
But sometimes… I let it play.
Because there’s something in it that belongs to all of them now...
Travis, Trey, and the little version of me who didn’t know what grief was
until it pulled up next to her bike and she whispered, not yet, not now, not him.
I don’t hate the song. I never really did.
It just held too much for a while.
Too many faces, too many memories, too many what ifs.
But it’s beautiful.
Both versions.
Buddy Holly’s bright and echoing.
Pearl Jam’s raw and reverent.
They’re different and the same, just like all the versions of myself
that grew through the cracks these boys left behind.
And Andie...
she taught me how to hold both.
Joy and ache.
Memory and forward motion.
The strength to show up with fruitcake and fireworks
even after the world goes quiet.
Some songs are hard to hear.
But the best ones don’t just remind you of what you lost they remind you of who you still are.
Like a voice from the backseat,
still singing along.
RESUME THE RHYTHM:
DRIFT THROUGH A CONSTELLATION OF MEMORY
Searching For Stars







